Much Of The World Has Been Deluded by Singapore’s Hollow Roars Of Success Tuesday, Jul 3 2007 

Lion without teeth, The Nation, 2 July 2007

Singapore is brilliant at self-promotion, says an Australian analyst, but it is no financial dynamo. Much of the world has been deluded by its hollow roars of success

Singapore, the modern city-state known for its authoritarian ways and conservative government, has a reputation for functional efficiency and capitalist success.

The smallest member of Asean geographically is often touted as one of Asia’s great success stories – a gleaming city that emerged from the tropical swamps under a strict but wise autocrat, Lee Kuan Yew.

But a fascinating new book by Australian Rodney King looks deeper into the “the Singapore Miracle” and reveals that a lot of the city’s supposed successes are in fact hot air.

Reports of Singapore being a dynamic commercial melting pot are, King says, simply the oft-repeated claims of a government that tolerates little dissent, and city leaders who may actually have stifled the sort of entrepreneurial dynamism you get in places such as Hong Kong, Shanghai, Taiwan and maybe even Bangkok.

King is a Perth journalist who lived in Singapore for a number of years and worked briefly at the Straits Times.

“The Singapore Miracle – Myth and Reality” casts doubt on the city-state’s claims of cutting-edge efficiency, global competitiveness, economic freedom and transparency. Most Singaporeans are not as affluent as their government makes out, King says in his extensively documented, 500-page tome.

“Books about Singapore usually praise its achievements or criticise its authoritarian rule,” he writes. “But few ever probe its widely publicised claims that it is a brilliant success that other countries should follow.”

King argues that Singapore’s workforce productivity is often mediocre and well below that of the West and Asian economies such as Hong Kong.

“The country also displays endemic inefficiencies at both macro and micro-economic levels. The performance of the construction, financial and service sectors is second-rate, while Singapore Airlines does not deserve the top rankings it receives.”

Singapore, he says, has “a dependent and underdeveloped economy”. Multinational companies and state enterprises predominate, and the economy has “low entrepreneurial and innovative capacities and an under-educated workforce”.

The city-state’s supposed affluence is also largely a myth.

“About 30 per cent of the population still lives in poverty by Western living standards,” he says. And Singapore’s Housing Development Board, Central Provident Fund and state-run health schemes have severe shortcomings.

What Singapore has been good at, he says, is marketing itself.

“Singapore has brilliantly sold itself to the world as an amazing success story to attract foreign investment and talent. It’s managed to get most Western think-tanks and ratings agencies to give it top scores for such things as competitiveness, transparency, economic freedom, etc.

“These bodies reflect the interests of foreign capital and their methodologies are shoddy and incompetent at times. And the statistics they are fed by the Singaporean authorities are often dubious and designed to put Singapore in the best light.

“To sell itself to the world Singapore has also denigrated and patronised its lesser-developed neighbours.”

Singapore was hardly an economic backwater when Lee Kuan Yew took power in 1959, says King, who has no special regard for the premier, who held office through his People’s Action Party (PAP) for 31 years. Lee is now known as a “Minister mentor” and elder statesman.

“Lee is always carefully listened to, and rather too politely … his views and lectures often receive reverential attention from opinion lenders, American think-tank experts and others who often have little direct first-hand knowledge of Singapore.”

In the early to mid-’60s, Singapore had one of the highest living standards in Asia, with one of the best-educated and hardest-working populations. Its strategic location and magnificent harbour – with extensive British-built shipyard facilities – alongside one of the world’s busiest sea-lanes, meant that it became a natural transport hub. And these features were a great asset for industrialisation.

The strategies Lee used to develop Singapore were an open-door policy to foreign capital and export orientation to tap into global trade. They helped the city-state enjoy double-digit growth from the ’60s to the ’80s.

But the Lion City became heavily dependent on foreign capital while state enterprises focused on infrastructure and “nation-building concerns”.

Entrepreneurial and innovative capacities have suffered because of a lack of domestic competition and the predominance of state bodies. Public servants running state boards often have little experience of the private sector “and no idea how to run a business”, King and other analysts say.

“The local private sector, normally the seedbed of innovation in most market economies, is stunted and starved of venture capital,” King writes. “The country’s capacity for indigenous research and development and entrepreneurial and innovative endeavours remains limited.

“Heavy state control of the economy is exercised through an extensive layer of state enterprises. The state imposes this control through layers of red tape.

“The government also manages a big chunk of the people’s savings through forced savings … and owns 72 per cent of the city-state’s land. Moreover, the government controls the unions and most of the labour force. Equally mythical are Singapore’s claims to being transparent. Nothing could be more untrue. The operations of Singapore’s government and bureaucracy are swathed in secrecy.”

King counters claims of high home-ownership levels, saying 86 per cent of Singaporeans rent government flats from the Housing Development Board on 99-year leases.

The author is provocative but very thorough. Every aspect of life in the city-state is analysed in detail.

“Singapore’s flaws are hidden by the PAP state’s vigorous marketing campaign,” he says. And most local and foreign journalists “are usually too restricted or intimidated by government defamation laws and other penalties to challenge or refute” the “river of statistics” promoting Singapore’s achievements.

There is a wealth of statistical and anecdotal material in this book to counter the official lines – or lies. Economists and anyone with an interest in Singapore should take note. This book could change the way you view our industrious neighbour.

But, perhaps the saddest facet of King’s work is not what he’s written, but the fact that the people who most need to read his book may find it hard to get, if Singaporean bookshops refuse to stock it, as he expects.

Sense Of Loss In The Pursuit Of Progress Tuesday, Jul 3 2007 

Filmmaker digs up Singapore’s forgotten past

By Wee Sui Lee, 2 July 2007

SINGAPORE (Reuters) – Faded footage of people in motor-powered sampans flickers and crackles on the screen. Mangrove swamps fill the landscape. It is Singapore in the 1950s.

These flashbacks from a bygone era are seen in “Invisible City”, a one-hour documentary featuring people in search of Singapore’s past by local filmmaker Tan Pin Pin.

“This film isn’t about Singapore per se — it is about memories, the need to be remembered and what one does to be remembered,” Tan, 38, told Reuters in her studio in Little India.

“I think I made a documentary that mourns the passing of time.”

The film, which premieres in Singapore on July 19, comes at a time when locals are criticizing the government for wiping out the heritage of the city-state, as British colonial villas and 19th-century Chinese shophouses are razed to make room for development.

Indeed, the sense of loss in the pursuit of progress is a common theme in most of Tan’s films.

Many viewers feel that beneath her tender and thoughtful portrayal of Singapore lies a veiled critique of the administration — something she denies.

But one issue that Tan, a law graduate from Britain’s Oxford University, is vocal about is censorship — a problem affecting many filmmakers here.

One of Tan’s films, a three-minute piece called “Lurve Me Now” that explores the fantasies of Barbie dolls, was banned in 1998 by the censors for its sexual references.

In 2005, she represented a group of 10 filmmakers who sought to clarify laws on political films after police questioned the director of a film about an opposition leader.

But Tan said not much has changed since then.

“It’s still as untransparent. It has always been and I think it will continue to be.”

While Singapore has been trying to encourage a homegrown film and media industry, the city-state’s Films Act bars the making and distribution of “party political films” — an offence punishable with a maximum fine of S$100,000 ($65,320) or up to two years in prison.

Melancholic Image

In a brief preview of “Invisible City” shown exclusively to Reuters, a group of young archaeologists discover an abandoned fort at Sentosa, an island where one of two Singapore’s casinos will be located.

In the next scene, Ivan Polunin, the elderly amateur filmmaker who owns the footage — believed to be Singapore’s largest private trove of color footage from the 1950s — struggles to recall what he captured on film.

Tan’s films usually offer viewers a melancholic image of Singapore, vastly different from the government’s picture-perfect version of sanitized streets and sparkling buildings.

“Some people see my films as a window into Singapore. I want to take them to places where they’ve never been to — literally and emotionally,” she said.

Tan’s latest documentary, the critically acclaimed “Singapore GaGa”, featured an elderly busker, a woman in a wheelchair selling packets of tissue paper, and avant-garde Singapore pianist Margaret Tan performing on her trademark toy pianos in a public housing block.

Tan, who had “wanted to leave so badly” when she was younger, said she is staying put as Singapore still inspires her.

“My material is all here, I’m not interested in being a diasporic director. This place resonates for me.”

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Related post: Left only with memories

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